So I could get by with a 35-150mm and and ultrawide zoom of somesort. But theres certainly a trend to overused backround blur without considering the overall composition/scene. Tamron 35-150mm F2-2.8 Di III VXD Review ), and who stands a camera UP on concrete with a 3lb lens so it's resting on the screen...on CONCRETE! Check prices on the Tamron 35-150mm f2-2.8 Di III at B&H, Zhongyi Mitakon Speedmaster 85mm f1.2 review, Canon RF 100-300mm f2.8L IS USM review so far. Leica introduces a tilt screen, USB-C and HDMI ports, 8K video and more to the Q-series. It does have the weakness of poor flare resistance in certain situations, but I had a number of situations where I still shot into the sun and got very nice results, like this: Ultimately I feel like this lens really delivers for those photographers that want both versatility and pro-grade results, and particularly those who would love to have the equivalent of a bag full of primes in one lens (which the A058 almost delivers on). The tolerances are tight, and there is not wobble or play in the barrel. And check out the great subject isolation of this medium distance student at 150mm, F2.8: It’s pretty amazing when you can have great image quality across a range like this: I’ll also add that real world images had a lot of “pop” to them. So many videos I see the camera/lens get banged around (maybe they're testing durability? Expected this year, this versatile lens will use the company's 'VXD' linear focus motor with promises of speedy autofocus. I really like the new features that Tamron has elected to include, and the lens feels like it will be tough and durable. [0], Aperture ring and other control elements: None of the Tamron lenses in this comparison has a dedicated aperture ring. Crops and comparisons are shown at 200% and are from the 50 MP sensor of my Sony Alpha 1. By 50mm maximum aperture is F2.2. The GM 70..200 II will be my travel tele for the future and I'll just get a slightly bigger bag - weight is lower than the Tamron 35..150 and image quality probably a good deal better especially on the long end where it counts most - with built in image stabilization at a lower weight. Most of my shots are within that range and I know in advance when I need to go wider and can go grab myself an ultrawide. lens hoods) which is 203g heavier than the Tamron 35-150. Add to this that it is the first zoom lens beginning at a maximum aperture of F2 on Sony and you have a lens that has a lot of photographers licking their chops and thinking about how they could combine multiple lenses into one professional “do-it-all” lens. Check out what he shot! The test is performed on site with results available within 24 hours. With the 16-35mm f/2.8 lens, the zoom ring is at the camera body end of the lens barrel, which is the same as the Tamron 35-150mm. Let’s compare the Tamron 35-150mm f2-2.8 Di III (“Tamron 35-150” for short) to the combination of Tamron’s 28-75mm f2.8 Di III G2 (“Tamron 28-75 G2”) and 70-180mm f2.8 Di III (“Tamron 70-180”). I also give high marks for the control of chromatic aberrations. I’m seeing little to complain about, thus far! In 1964, the first magnet with a maximum field of 20 T came into operation. Tamron’s VXD focus motor is excellent. But those few issues could be an deal breaker for me. With the classic 24-70/70-200 combo I either need 2 cameras or I can get surprised, like I have 70-200 on (getting candid portraits) and something happens infront of me. The main lens is always the zoom and even though the wide zoom is there, I'd prefer 24-28 at the wide end. It is pretty obvious that Tamron has been looking at odd zoom ranges to capitalize on portability and max aperture. Righto, mate. We have focus hold buttons in a couple of positions to allow easy access whether in landscape or portrait orientation. Full frame: Yes At 70mm the distortion increases (-9 to correct) while the vignette diminishes (+30 to correct). Seriously man, c'mon! It is certainly not a light lens and the price seems a bit on the high side. Nothing like the shy miscolored spots you get with the other lenses. 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Now that the first round of voting is over, it's time to reveal the first-round winners and pick the best overall product of 2021. Find out how we test. Above: Nikon Z 70-200mm f2.8 VR S (left), Tamron 35-150mm f2-2.8 Di III (right,). The focus ring is 28mm wide, has a rubberized surface and moves so smoothly that it can easily be operated with your pinky. 1. I think they said somewhere the 100r won't happen. It does have a few flaws (as we’ll see), but I’m not convinced that it has any fatal flaws. Chris and Jordan run through their absolute favorite lenses for Sony E-Mount, including both Sony lenses and third party options. I can now offer a 5% discount on all purchases at, Tamron 35-150mm F2-2.8 VXD Definitive Review | DA, Tamron 35-150mm F2-2.8 VXD (A058) Review | DA, visit this page to download the software and/or get more information, so be sure to visit the image gallery page here to see more of them, Adobe Photoshop Creative Cloud 1-Year Subscription, Visit Dustin’s Amazon Storefront and see his favorite gear, Larger maximum aperture than competitors at points, Advanced weather sealing with 11 seal points, Useful new features like custom buttons and USB-C port, Strong optical performance throughout zoom range, Excellent control of chromatic aberrations, Ring position reversed from other Tamron zooms. Sony bought 12% of Tamron. The Sony 200-600mm lens, by contrast, has the zoom ring at the lens end of the lens barrel. Are you really that restricted by space? The distortion and vignette are linear and clear up nicely. This gives a total weight of 1410g for the Tamron 28-75 G2 + 70-180 (incl. @Pseu_Pseu_Pseudonymso let me get this straight, you are going super wide for a group in such a way that no one will be close to the edges therefore you are leaving room for that to avoid distortion. Real world landscapes look gorgeous. Interesting concept, I’d personally prefer if it was f2.8 throughout and lost some weight and size. There’s no getting around that this is a fairly large and heavy lens, but it is clearly a well made lens that has very high functionality. [0], Filter-thread: 82mm. They are clearly banking on the IBIS (In Body Stabilization) of Sony’s full frame cameras, and it does seem to do fine overall. @Leijona you should work on your composition then, when s.o. I find the amount of Lens flare quite alarming. It will act as a wide-angle for full-frame cameras or as 45mm equivalent normal lens on APS-C bodies. The results were generally positive, with nice, crisp detail to the night sky, though a pixel level look does show a bit of coma in the edges of the frame. I covered the wedding season with only two lenses: the Sony G 20mm F1,8 and the Sony GM 50mm F1,2 for both photography and video.Given the pixel count of the sensors, the ability to zoom in the image is more important. I own both the Tamron 28-75 and 70-180 and this lens pretty much covers both (28 nor even 24mm is wide enough for me anyway) and gives at least equal quality and larger aperture wide to mid range. I agree with Chris that as long as you have a wide prime, possibly on a second body, you are good to go for a wedding. @John CarsonI need to correct myself. It will take 5% off your entire order! Weight and size wise, that's a big win and I need to switch lenses a lot less! The 35-150mm is a larger lens, to be sure, but not dramatically so. To those complaining about the lens:I'd suggest it's not that the lens isn't good enough for you, it's more that you are not good enough for the lens. Enough scuffs already on that hood for a brand new lens. Here’s how it works. This killer combo is a keeper and will make me sell my Tamron 28-75, 70-180 and Sony 24-105. We’ve almost been here before. Particularly Tamron and Samyang. DPReview's Jason Hendardy took to the streets of Japan with this compact, Leica-made L-mount prime lens. Autofocus is based on a VXD (Voice-coil eXtreme Drive) linear stepping motor, which is fast for stills and enables smooth transitions when shooting video, in almost complete silence. The lens is fully weather-sealed including fluorine coating on the front lens and Tamron added a custom switch plus focus set button and USB-C port to make the lens configurable via computer and Tamron’s new Lens Utility (“TLU”). I even used Mamiya 6x9 BITD for real quality. Complement the new lens with Tamron’s 17-28mm f2.8 Di III RXD and 150-500mm f5-6.7 Di III VC and you’ve got a 29x zoom-range covered with only a small gap between 28mm and 35mm focal length. Though they will need to carry a 28mm prime to complement this lens I guess. 4.0 Excellent By Jim Fisher February 15, 2022 (Photo: Jim Fisher) The Bottom Line The Tamron 35-150mm F2-2.8 Di III VXD skips wide angle coverage in favor of a brighter aperture, making it a. As with Sony lenses, this button can be programmed to different functions. Tamron has shot for the stars here and has generally landed it. As with color fringing, in-camera correction is available. The Amsterdam high-field facility The other two optical designs are slightly less complex. This one is seriously impressive! As noted, I view this lens primarily as an event and portrait lens, and it certainly worked beautifully well when people were in the frame. The lens features a USB-C port and compatibility with Tamron’s Lens Utility software. I gave away my copy of this older B+ lens and a Rebel camera to my neighbour so she could learn photography. This stabilized lens has both aspherical and low dispersion elements, and has a minimum focus distance of 45 cm (17.7 inches). Mount: Sony E (FE) The counter argument is that this lens costs $1899 USD, and Tamron also sells a fantastic new 28-75mm F2.8 VXD G2 ($899 USD and exceptionally good) and an also-excellent 70-180mm F2.8 VXD ($1199), which means for $200 more you could have two zooms that give you even more focal length coverage and even a bit more performance. In RF we got 28-75 f2, you can always reach 135mm by cropping but you can never go wider than 35mm with this lens. Center results look good at F2.2, while a mild stop down to F2.8 makes for exceptional results. If the autofocus tracking and face detect works as well as a GM lens then might work for indoor sports. https://www.sony.com/en/SonyInfo/News/Press/201102/11-018E/. These are worst case scenarios, but you will have to be careful about backlighting your subjects too strongly in portrait sessions. Digital Camera World is part of Future US Inc, an international media group and leading digital publisher. Both the Tamron 28-75 G2 and 70-180 have a constant focal ratio of f2.8. May not be used without permission. Announced in April 2021, the Tamron 150-500mm F/5-6.7 Di III VC VXD lens has been highly anticipated by wildlife and nature photographers who use Sony E-mount mirrorless cameras.Our colleagues at Digital Photo's sister site, Imaging Resource, recently got their hands on this Tamron telephoto zoom for E-mount cameras and paired it with a Sony A7R IV to produce an early hands-on review of the . This site uses Akismet to reduce spam. Yeah can't recommend mounting heavy lenses on flimsy adapters but its your camera, your choice. This versatile all-in-one zoom enables photography of beautiful . I’ve got too many great images to share in this space, so be sure to visit the image gallery page here to see more of them. Now you say that you use "20'ish" ultrawide for groups. This is a professional grade lens ready for professional use. Angle of view: 63.4-16.4 degrees I said several times, that I have (and use) ultrawide. Granted, the AF could be better. Until 8K monitors become a thing next year, I see little need for more than 24mp. length without lens hood but quite heavy at almost 1.2kg (2.6 lb.). One with this, one 14/16-35mm, for a trip. In the same year, the design of a much improved magnet was started [1]. With its 4.3x zoom-range the Tamron 35-150 offers quite a bit more coverage than one of the usual large aperture trinity zoom lenses of 24-70mm or 70-200mm focal length. Released simultaneously with the 28-75mm f/2.8 Di III VXD G2 lens, the new 35-150mm f/2-2.8 Di III VXD (Model A058) lens is built for Sony's full-frame mirrorless cameras. It’s kind of an awkward one, not quite wide enough for landscapes and not enough reach for most sports. Tamron 35-150mm f/2-2.8 Di III VXD Lens for Sony E-mount - tamron-usa.com The new Fujifilm X-S20 may have an older sensor, but it's a capable stills camera nevertheless. Photos of test charts are taken across the range of apertures and zooms (where available), then analyzed for sharpness, distortion and chromatic aberrations. I was lucky enough to get my hands on the lens to use at a few of my recent weddings . DISCLAIMER: This article and description contains affiliate links, which means that if you click on one of the product links, I’ll receive a small commission. So finally we arrive at 150mm. I love the idea of this lens: pair it with a 16-35 or something similar and you are set. The lens performs very well in this respect, the wide apertures enabling a tight depth of field and the optical design delivering very smooth and dreamy bokeh. Maximum magnification ratio: 0.18x (W) 0.17x (T) I’ve often shot a wedding with a 70-200mm (roughly 1400g) and then a pro-grade 35mm like the Canon 35mm F1.4L II (760g), but because the 35-150mm goes as wide as 35mm, I wouldn’t need that second focal length. Too bad you have to put up with a sony camera to get this lens. I was extremely thrilled by the idea of a fast zoom until I heard the weight - add caps and lens shade and it's already above the 70..200 f/2.8 II territory. My typical mid-frame test of the Canadian $5 bill looks incredibly crisp, and contrast at F4 is pretty much off the charts. This lens would be an absolute workhorse for any wedding photographer. The finish is a little glossier and (according to Tamron) the finish has been upgraded to be more resistant to scratching and even fingerprints. Artist and alchemist Markus Hofstätter is all about pushing the boundaries of possibility when it comes to analog photography. Peep at our sample gallery here. Given that Sony is an investor in Tamron, that might not change for a while. Both results are fairly good, with a little more contrast on the wide end but you can unlock creamier backgrounds on the long end and get a flatter plane of focus. The Z6 has been fantastic with zero problems. I think there was a desire to get the 2.0 on the wider side, that would be a challenge down to 24mm. Looks really nice. It is good for everything in your cart, and is stackable with other coupons, too! As I’ve noted about a few other recent lenses, I suspect that the basic physical realities of the A)58 will produce a natural sorting effect on potential buyers. ""My best shot was a bunch of kids with bubbles in front of the parents, about 40 people in total, 20 ish mm ultra wide"Does that mean that you will still need an additional ultrawide next to a 28-105mm or not? Perhaps its second largest shareholder, see above, prefers it that way. With a bigger battery and better video capabilities, the Fujifilm X-S20 could be the vlogging machine content creators have been waiting for. • Best Canon lenses Tamron 35-150mm f2-2.8 Lens Review: Best Lens for Basketball? You do not see 24-105 range at F2.8 never mind 2.0. The nine blades make for a slightly busy but fairly good looking sunburst effect, as you can see here. In October 2022 the lens also becomes available for Fujifilm X-mount . Oh this must surely be sour grapes for Canon and Nikon owners. To my eyes, they only make the photos more interesting. Here’s a quick look at the functionality of the Lens Utility software, or you can visit this page to download the software and/or get more information: We’ve also got a zoom lock switch to prevent zoom creep, though I didn’t actually encounter any real creep while out hiking with the lens. Visit our corporate site. Tamron 35-150mm F2-2.8 Di III VXD results on Amazon.com, Tamron - 35-150mm F/2.0-2.8 Di III VXD - MegaZoom Lens for Full-Frame Mirrorless Sony Cameras - Model A058S, Tamron 35-150mm F/2-2.8 Di III VXD for Sony E-Mount Full Frame/APS-C (6 Year Limited USA Warranty), Tamron 28-75mm F/2.8 Di III VXD G2 for Sony E-Mount Full Frame/APS-C (6 Year Limited USA Warranty), Tamron 35-150mm F2-2.8 VXD sample gallery (DPReview TV), Fujifilm shows off camera-to-cloud features for X-H2 and X-H2S, DPReview TV: The best lenses for Sony E-Mount, DPReview Readers' Choice Awards 2021: Product of the Year. Unlike Tamron’s now discontinued 35-150mm zoom for DSLRs which had 5-stop optical stabilization, the E-mount lens relies solely on the in-body stabilization of Sony mirrorless cameras. In my case, the more the lens will start with a large angle of view, the more versatile it will be in my practice. That’s what we have here, and, for the typical things this lens will be used for, the focus system is impressively good. This makes smooth focus pulling for videographers much easier. The focal range on this lens is essentially all you would need to shoot a wedding from start to finish. Tamron 150-500mm F/5-6.7 Di III VC Hands-On Review The rings aren't reversed on this one, would be pretty awkward in use if they were tbh. My dreams had finally come true! @Pseu_Pseu_Pseudonym"Trying to take photos of groups inside at 35mm is limiting"if you are taking wedding pictures of a group with wider that 35mm and you cannot fit the group you are probably not getting a good picture of people, unless you are in for some creative framing and intentional, non-flattering, perspective distortion. This is a professional grade lens that will give awesome results across the zoom range in a variety of conditions. Minimum focus distance will scale between these two extremes as you go throughout the zoom range. I heavily shoot portraits in wedding and events with my 20/1.4, but make sure your subject is in the center and a few feet way, the idea is to put the subject in context.Just reinforcing Eix comment. Antigen Test Requirements for Amsterdam Airport FEATURES Lightweight and Compact Extreme portability enhances the limitless versatility of each lens Short MOD (Minimum Object Distance) Get close - very close - as close as one-half life-size Unified system of lenses with 67mm filter size Pursue a wide range of photography with a lineup of lenses featuring the same 67mm filter size on most lenses. It bayonets into place very cleanly and helps provide some shading along with some bump protection. No I'm used to brand colour science and class leading microcontrast and apo elements this lens isn't good enough. There’s a rubber gasket at the lens mount that suggests at the weather sealing inside, and Tamron also shows a total of 10 other internal seal points along with a fluorine coating on the front element to give further protection. I had longed for a lens that would give me the view of what a typical f/4-5.6 zoom lens would, but in a faster variant. Focus accuracy and repeatability is critical to consistently produce sharp shots. [0], Use with teleconverters: No, neither of the Tamron zoom lenses can be used with Sony’s teleconverters. I recognize that this was almost certainly an engineering necessity, but it is an annoyance nonetheless. Rapid Diagnostic Test (ID NOW): The Rapid Point-of-Care (POC) - NAAT (ID NOW) test also detects genetic material of the virus. New York, Intro DAS E-MOUNT MUST HAVE OBJEKTIV? We look into whether it offers more than your smartphone. I’ve shot plenty of weddings and events with a 24-70 on one camera and a 70-200 on the other. For portraits the perspective distortions can add interest to the picture, for groups I find it's mostly negative. That’s a little under two stops in the corners, and I saw no real world situations where I felt correction was really necessary. Try harder. 35mm is the maximum wide angle I found pleasant for social photography in interiors and for general purpose portraits, so I agree that 35-150 mm could be a very interesting zoom. I said a 24-28 to 105.You've misquoted me twice now. Tamron 35-150mm f/2-2.8 Lens: One Photographer's Review We’ve got a larger but still standard 82mm front filter thread. This is quite a complex optical formula, with 21 elements in 15 groups. The Tamron 70-180 even achieves 1:1.8 at 70mm focal length and 1:4.1 at 180mm. This enables you to set up custom modes for the lens’s duplicated function buttons for landscape and portrait orientation shooting, accessible via a three-way Custom switch. By 70mm the maximum aperture is F2.5, still faster than the average zoom, but by only one third stop. Saw a YouTube review where they showed noticeable vignetting even at f8.https://youtu.be/_8Yza568trI?t=1190 (its german). In the region between the central zone and the edges, sharpness holds up pretty well but it drops off noticeably towards the edges and corners. He is Digital Camera World's principal lens reviewer – and has tested more primes and zooms than most people have had hot dinners! The A058 is a larger lens than many expected. What’s the best camera for around $2000? Heavy, yes, but in a reassuringly substantial kind of way. Purchasing your gear through B&H and these links helps fund this website and keeps the articles coming. The Tamron 150-500mm f5-6.7 Di III VC (model A057) is a long telephoto zoom designed for full-frame mirrorless cameras. Tamrons turn the same way as Sonys but the zoom and focus rings are reversed. The excitement was palpable from the moment that Tamron first introduced the idea of their newest lens, a lens that busts genres and gives Tamron another “world’s first”. The truth of the matter is that this is actually a fairly moderately sized lens with that in mind, though in some ways the perception challenge that Tamron is going to face is actually due to their successful downsizing of the 70-200(ish) formula with their very successful 70-180mm F2.8 VXD. Moisture-resistant construction, a fluorine . Anecdotally, I went to visit my son at university and walked all over the campus and the nearby waterfront with only the very thin Peak Design Leash strap I keep in my small camera bags. @Bigsensorisbest I tend to agree. The inner barrel extends as you sweep through the zoom range from wide-angle to telephoto settings but our test sample didn’t suffer from any zoom creep. In a pair of video updates Pentax shares a glimpses of its hopes and plans for future film cameras. And, since portraits typically prioritize rule of thirds (center and mid-frame) over extreme corners, real world portraits even at F2 look great. Essentially the A058 has the girth of my 135mm F1.8 GM and the length of the 70-180mm F2.8 from Tamron, as you can see here: Tamron’s design philosophy on Sony has been pretty spartan, but the A058 is a more expensive lens and has been given a little more premium treatment in terms of features. I used the A058 to record a few of my video segments, and focus was solid and reliable. They're absolutely gorgeous! Now, the question: can its compact form factor and capabilities as a video and stills camera attract users beyond the intended vlogger and creator market it was initially designed for?
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