7″ woofer; 4″ Midrange; . Diagram 1: The Type 20’s frequency response on-axis (orange), 20 degrees to the HF side (blue), and 20 degrees to the LF side (purple). there are some gems I'd be happy to see here: The JBL Control 25AV - B-stock on sale at Harman for $89 each. Tower Mains. You must log in or register to reply here. And what better way to do that than through the power of music? See, back on Mars, we had a bit of a mishap with our own planet. Free Shipping for all orders - 3 years warranty with all products. My name is Yborg, and I hail from the red planet, Mars. Just for pure entertainment purposes. But the energy of the port originates from the back of the bass driver diaphragm, and that’s 180 degrees out of phase with the radiation from the front. Warranty. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The software installed easily on my MacBook Pro and launched a very good-looking and easy-to-navigate EQ plug-in window. The sharp transient of the HF arrives first followed a few milliseconds later by the gentle hump of the LF. The HEDD Type 20 employs such techniques in the form of analogue equalisation within its internal electronics, but its real USP in terms of equalisation is to be found in the Lineariser app I mentioned earlier. Over the past few months, I've had the opportunity to test drive the S3V, the mid-priced model of the line, in my studio. As I began to listen more, however, spending longer periods with the Lineariser sometimes engaged and sometimes bypassed, and sometimes not fully concentrating on the sound, I began to realise that the Lineariser was doing something genuinely interesting but (somewhat inconveniently for my purposes here) not easy to describe. The Lineariser can be configured as a DAW plug-in or a stand-alone app and it behaves identically in each mode. SPL: 112 dB (1 m anechoic, 118 dB half space); DSP-Technology; 24-Bit/192 kHz Converter; VESA Mount possible; Connections: analog Input XLR, digital Input AES, digitale Output AES, Word Clock BNC and USB for Service; Dimensions: 390 x 240 x 355 mm (WxHxD); Weight: 15.1 kg, KS Digital A100 Cherry; active 2-way midfield monitor; DSP with KSD’s FIRTEC technology (phase-lienar and impulse-triggered); 8″ woofer (175 Watt) and 1″ tweeter (70 Watt); max. No constant directivity, computer modeled waveguide bullshit. Description The HEDD Type 30 is an Active Studio Monitor with a 2 Woofer/midrange 7", 1 Midrange 4", 1 Tweeter 2", XLR/ RCA Input & HEDD Bridge card slot for digital connectivity. Alternatively, a physical rotary encoder and OLED display on the rear panel can be used. We have created for you a rating of the Best 30 Midfield Monitors, Dynaudio Core 47 Right; Active 3-Way Studio Monitor; Woofer: 7″, Midrange 4″, Tweeter 1″; Amp: 500 Watts Woofer and Midrange, 150 Watts Tweeter; Frequency Range: 44 Hz – 27 kHz ±3 dB, 37 Hz – 31 kHz ±6 dB; max. HEDD Type 30 Our General Recording Situation: We use a Neotek Elite II (m2) Analog Console in a fairly large / deep control room (with high ceilings). Inter-driver phase changes will therefore be relatively innocuous. After listening to several reference tracks and some current masters that I was working on, I found the ADAMs to have excellent imaging, especially around the high-mids on electric guitars and background vocals. In the diagram, the orange curve is the on-axis frequency response, the blue curve was taken 20 degrees off-axis on the mid/tweeter side of the enclosure and the purple curve 20 degrees off-axis on the LF driver side. HEDD Access Tool. ADAM S3X-H (.or) 2. The ProAc Studio 100 is a passive two-way monitor sporting Web site designed & maintained by PB Associates & SOS. Please Wait, Hedd Type 30 Active Studio Monitor New Damaged Next Day Express Ship, 2 x 6.5" Woofer, 1 x 4" midrange driver and 1 x Air Motion Transformer as tweeter, 8" Kevlar mid-bass + 1" fabric dome tweeter in treble. BTW, the KEF-Coax drivers can be bought in France if one wants to diy. -Adam S3H-Adam S3V-HEDD Type 30 MK2-HEDD Type 20 MK2-any Unity Audio AMT speaker . On the rear panel of the speakers, one XLR jack is for analog input, and a separate pair of male and female XLR jacks provide digital (AES3) input and thru. It can play at high levels without any sign of strain and its LF bandwidth is extended well into midfield monitor territory. Active 3-Way Mid-field Monitor. Before I cut to that chase, there’s some description and analysis to cover. The design problem to be solved is that, while a vertical array of all three drivers would seem to offer the most consistent horizontal dispersion (because the path length from each driver to the ears remains relatively consistent at different horizontal angles), there’s no getting away from the fact that compact, landscape-format monitors often better suit nearfield monitoring installations. The S3V provides a much larger sound than one would expect from this size cabinet, and the sound is refined and detailed. Monitors would be for nearfield reference monitoring. Monitors would be for nearfield reference monitoring. The overall small dips and bumps of the S3V's frequency response matched my main monitors' measured curve, which effectively shows my room's acoustic signature, so it's fair to say the S3V has a generally flat response between 40 Hz and 20 kHz. However, the company have a long history in the field thanks to its founder Klaus Heinz, who for many years was Head of R&D at ADAM Audio. KEF LS50 Meta vs HEDD Type 07: An (un)fair comparison German speaker manufacturer ADAM Audio recently introduced its S-series speakers, including the S2V, S3V, S3H, S5V, and S5H. I think a client sitting off to one side would be able to make informed mix decisions. Finally, the ‘Minimum Phase’ option switches off time-domain compensation entirely to leave just the frequency-domain equalisation in place. This means that only a small change in path length from driver to ears will result in a relatively large change of inter-driver phase, and significant discontinuities in the frequency response. I eventually settled on a wide bell cut of about −4 dB around 50 Hz. In Diagram 2 I’ve illustrated the Type 20’s impulse response, captured using FuzzMeasure, with and without the Lineariser. Hedd's Type 30 has two 7 inchers so this makes the dual 7's in this Adam seem like a bargain! The S3-A's response starts to slope at 90 Hz, and it's down by 6 dB at 30 Hz. Little information is published on the driver’s magnet system, but there are few reasons to believe it is particularly out of the ordinary — other than it being pretty large for a relatively small driver. I have some budget set aside and I think a solid pair of monitors is a must. So all in all, what I'm hearing in the Type 30's lower mids is not just greater volume, it's greater detail with less time-domain smearing. # 1 mantovibe ️ Gear Nut 20 years Almost ZERO talk about Hedd Type 30 or 20 Hi and Happy New Year to all! What’s not ideal about hearing just the speaker? Understandably, due to its much greater extension, the phase response of the HEDD tweeter is much more controlled from 6–30 kHz than the ADAM tweeter. Once tracking was done, I brought home the rough mixes, and I gladly discovered that things still sounded "right" on my home hi-fi systems, as well as various headphones. The function of the port is to reinforce the radiation from the bass driver. However, HEDD manufacture an optional Bridge module that sits in an accessory slot on the back panel and offers USB, AES3 and AES67/Dante (network audio) inputs. The Type 20 alone is a fine monitor that easily competes with products of a similar price level and higher. Your email address will not be published. We completed the mix, but unsurprisingly, the mix came back to me a week later for revisions. With all that horsepower, these full-range, high-powered studio monitors offer a maximum SPL of 124 dBA at 1 m, with a frequency response of 32 Hz – 50 kHz. Twitter One consequence of this is that the Type 30 exhibits greater group delay and resonance around 30 Hz, but that's to be expected with a steeper (yet deeper) curve resulting from a lower-frequency tuning of the cabinet ports (in conjunction with better woofers). Now, before you start freaking out and calling Will Smith to save you from an alien invasion, let me tell you a little bit about myself. The 120mm-diameter mid-range driver also appears to be a relatively conventional unit, once again featuring HEDD’s proprietary Ultra Honeycomb Composite diaphragm and a rubber surround. My workaround was to put an EQ plug-in on my master fader, dial in a curve with the plug-in, and then copy the EQ settings into S Control to load into each speaker. The S3V worked great for acoustic-music mixes and even for mastering fusion and chamber music. Sound & Recording review and measurements of the HEDD Type 30 MK2 HEDD, short for Heinz ElectroDynamic Designs, are relatively recent entrants to the nearfield monitoring market. The rear panel houses the balanced and unbalanced inputs; HF, LF and gain controls; and an expansion slot for use with an optional digital interface card. Buy HEDD Type 30 at Thomann UK . The only complication being that, for the sake of dispersion symmetry, the two speakers of a pair need to be ‘handed’ (ie. Compare HEDD TYPE 30 MK2 vs HEDD TYPE 20 MK2 vs Adam Professional Audio S3H vs Adam Professional Audio S2V Comparing HEDD TYPE 30 MK2 vs HEDD TYPE 20 MK2 vs Adam . Diagram 3 shows the close mic port output and the 40Hz tuning, but also reveals that, other than a relatively low-level feature at around 530Hz, the port is free of organ pipe resonance. Forum Donor. Great speaker demo in-store today, HEDD Type 30 vs Adam S3H. The combination of the characteristically detailed but unforced quality of the AMT tweeter with a seriously uncoloured, clean and revealing mid-range performance was both rewarding in terms of enjoyment and productive in terms of monitoring duties. Phil's blog can be found at http://musicandmiscellany.com. You may login with either your assigned username or your e-mail address. The HEDD AMT with waveguide to optimise the dispersion behaviour. New comments cannot be posted and votes cannot be cast. All this explains why the Type 30 is less "exciting" than my ADAMs — far less harmonic distortion! Starting with the bass driver, it’s a nominally 180mm unit with an “Ultra Honeycomb Composite” diaphragm, a rubber surround and a large (50mm) voice coil. Print Email. It is clearly the weak spot here, while the waveguided AMT is holding up just fine. Not bad ... but the K310 is still so impressive despite being an older and fully analog design. (I have found many speakers change drastically in the first 20–30 hours of use, and I wanted to give the S3Vs an honest first listen.) We can probably thank the line art adoration club for it. On the front panel of the cabinet is an LED indicating power status, and the bottom front of the cabinet sports two triangular ports. I'm going to be setting up a studio in the near future, with complete acoustic absorption and diffusers. Spectrum Labs calibrated mic [Tape Op #96] to take careful measurements. Compare HEDD TYPE 30 MK2 vs Adam Professional Audio S3H vs Adam Professional Audio S5H About The Author: Phil Ward’s loudspeaker career began in 1982 when he joined UK hi-fi company Mordaunt-Short in a junior design role. Re: Interface failed, need a new one, any recommendations? The story behind the diaphragm material is clearly an interesting one because Klaus Heinz revealed to me that it was the discovery of the material, sourced from an unnamed Far Eastern supplier, and the realisation that its mechanical qualities were so exceptional, that persuaded him to develop a new range of monitors around it and found HEDD. At the Type 20's 250Hz low/mid crossover, however, the wavelength is 1.37m and the distance between the drivers is around 18cm, so driver path-length changes at different listening positions horizontally are a much less significant fraction of the wavelength. I'm wondering if the jump from something like HS8's to a high end monitor like the Genelec's 8050's makes a worthwhile difference in regards to mixing/mastering in a fully treated room. Opinions on Adam S3H vs Eve SC407/8 vs Hedd Type 30 - Gearspace.com Without the Lineariser (the purple curve), the different arrival times of HF and LF energy can be clearly identified. BASS 12. Without linearising the frequency response magnitude and phase: With FIR filters that linearize the magnitude and phase response: Reserved for measurements. Slightly frustratingly, it defaults back to the HEDD Type 05 when closed and occasionally I forgot to re-select the Type 20 when I next came to open or insert it. Classy electro-acoustics and engineering result in a fundamentally great monitor. Inter-driver phase changes will therefore be relatively innocuous.
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